Stamped In Time
About My Art
My artwork is made entirely from antique stamps—cut, layered, and arranged by hand to form seamless images that are full of texture and history. From a distance, you might see a figure, a dress, or a botanical form. But take a closer look, and you’ll discover it’s built from dozens of tiny stamp fragments, each one carefully chosen and placed.
I often work over vintage illustrations or ephemera, such as a page from a 1908 children’s book, using these historical elements as the foundation for something new. I source my materials from antique markets, dealers, and my personal collection—always with a deep respect for the past. My aim is to create something that feels timeless, delicate, and full of quiet detail.
Every piece is truly one of a kind.
Watch Me Create.
Ever wondered how these miniature worlds come together? Here’s your chance to see the process up close. In this behind-the-scenes look, you’ll watch as I use tweezers, a magnifying glass, and a fine craft knife to build a piece entirely from antique stamps. What might seem like a simple image is actually a detailed composition made of many tiny, carefully selected fragments.
I know my work may feel controversial to traditional stamp collectors—I get it. Some stamps are simply too beautiful to ever cut. But for the forgotten, overlooked, or imperfect ones, I see an opportunity to give them a second life.
This process is slow, precise, and deeply personal—and I’m excited to share it with you.
Stamp Collectors Worst Nightmare
Last year, I took a little trip down to Strichen Antiques in Strichen, Aberdeenshire. While exploring their second location, I happened to meet one of their team members—an expert in war memorabilia and a fourth-generation stamp collector. It was a completely unplanned meeting, but I just so happened to have some of my art supplies and part of my own stamp collection with me.
We ended up having a fascinating conversation. He generously shared his knowledge, helping me better understand the history and stories behind many of the stamps I use. At one point, I asked him, “Does my art scare you?”—a question I often wonder when speaking to passionate collectors. I truly appreciated his honesty and his openness to discuss the idea of transforming stamps into something new.
I’ve linked an article he did with The Press and Journal about his own journey and deep love for antiques—it's well worth a read. That unexpected encounter sparked something for me. It made me think how valuable and interesting it could be to have more open conversations with stamp collectors, and hear their perspectives on giving new life to something so steeped.
history.https://www.pressandjournal.co.uk/fp/lifestyle/6611573/new-pitsligo-teenage-antiques-expert-charlie-elphinstone-strichen-antiques/
Quote Source - Three Stun Stamps (Instagram)
“Your work is amazing!You do the cutouts so small & makes the overall piece amazingly beautiful I can only say that you give new life to otherwise “unloved” stamps”
Quote Source -LevenParker (Tiktok)